In order to further expand the reach of Muzishare tube amps to wider parts of the world, for they are more deserving to be enjoyed by more of the audiophile community, QA has managed to seek out lower worldwide shipping rates by DHL/FedEx up to 35%* cheaper! In some instances, these savings could be as much as close to S$500!
For those who have previously enquired but are held back by the higher shipping cost, we hope you can find comfort in knowing the substantial amount of savings you can have now. Feel free to chat with us again to get an updated shipping fee now!
Do note that the warranty covers the unit, but not the shipping service – insurance from DHL/FedEx will cover that. Although 1-year warranty for all Muzishare tube amps is valid and covered by QA Singapore no matter where the region it was purchased from, customers will still need to bear any shipping fees if it was decided for the unit to be sent to Singapore for support coverage as well as for any subsequent return sending back to customers.
To sweeten the deal further, any purchase of our X7, X9 or R100 amps will include 1x widely popular high fidelity Gustard audiophile fuse for FREE! If you are going to be amazed by the stock models of our Muzishare tube amps, you will be in awe how spectacular the upgrade to Gustard fuse is going to be. It is easily one of the worthwhile and excellent performance upgrades one could do to push the potential of these tube amps.
QA Premium Grounding Box has been consistently our top seller product with highly favourable and positive reviews. For those who have taken the stride and became a believer in how our fully-handmade-in-Singapore audio ground boxes have improved your hifi audio system, QA has boundless appreciation for those beliefs.
QA Quad Size+ was made to congregate 4 groundings into one single place. While it was not really an upgrade, it was logically a next step up to provide as an option for customers. So, building on to the success of having the knowledge in ground box craftsmanship and also various positive impressions from countless happy customers, we know there is definitely potential for improvement in capability, quality and compatibility for an even higher tier of ground box which it can never be out of place sitting beside or behind any high-end system further bettering their quality.
Above: a passive and simple item in hifi audio, but the construction is a huge and meticulous job. It’s use is simply to improve the quality of the sound by connecting to any ground of a component
The proprietary mix of the mineral content inside our successful ground box has never been disclosed, as per most other ground boxes makers. Sceptical customers we have come across tend to believe inside are purely dirt. If it can really be as simple, we would have preferred brick, as least the construction of the ground box would have been less messy! But trust us when we say the content are more than dirt, because with QA Triple Aces, the total number of ingredients involved in the mix has been increased over a third more than the usual ground box to over a dozen of different components.
What was exceptionally worthy of QA Triple Aces was due to the addition of three more ingredients in the powdered form of important metals in audio conductivity in substantial amounts into the proprietary mix. Gold, silver and copper are arguably the three most used metals in audio application. Hence there is no doubt the involvement of these metals in the mix could have been more beneficial, and our prototype has proven that absolutely right. Pure copper sheets and pure silver filaments are already used within the box environment, the addition of these metals in fine 4N purity further enhances the entire conductivity nature in the whole mixture.
Both silver and gold are precious metals, and by that definition, the cost of adding them into the construction of QA Triple Aces is one of the reasons why it costs so much higher than our first ground box. If we are honest, the amount of pure fine 4N silver powder alone added in QA Triple Aces is already close to the cost of 3 QA Premium Ground Boxes. We could not add pure fine gold powder into the mix because it would elevate the construction cost so much that it truly would not be sensible and cost-effective anymore for anyone to buy.
The third pure metal powder was something which we have not mentioned because we chose not to and shall reserve that right of proprietary standards. QA seeks your understanding on this. That was truly an interesting element in our prototype and to say it does not perform as much as silver and copper in conductivity is an understatement. These three pure metal inclusions into QA Triple Aces truly excel in the performance of QA proprietary ground box mix that in the right proportions, the improvement to sound when connected is now literally immediate and apparent. Perhaps by now you should have guessed it – that these three crucial additions of metals mix are what give rise to the name of this box, as they absolutely ace the performance as a ground box.
Customers who wanted a small footprint as the cube shape QA Premium Ground Box may ask if this proportion mix can be used there instead, so as to save cost. Yes and no. Before we address this, let us first go through the choice of the box we have chosen for QA Triple Aces. The gorgeous Black Walnut box was a meticulous construction, not by us but from a supplier, with dovetail joints. It has thicker walls than that of the usual ground box. Already a much stronger wood, Black Walnut has totally no problem withstanding a total of about 6kg load of content, making it 3 times the volume of the QA Premium Ground Box at a smaller footprint than 3 individually stacked. Importantly, Black Walnut also simply oozes class and style in its finishes. Smooth, unassuming, classy and endless. The colour and grain of the wood complement perfectly with the little golden finishes we have the rest of the designs in mind around the box.
So back to the question of using the same mix in smaller cube-shape box. Effectively, 1x QA Triple Aces is three times the volume of QA Premium Ground Box. Dividing the QA Triple Aces mix into one cube shape box of QA Premium is basically lessening the effectiveness without decreasing much of the cost. In the end, one may face the circumstances of stacking 2 or more cubes to get the same effect, which we are quite sure stacking 3 cubes of the same mix would not be as effective as one QA Triple Aces because of the additional ground leads connecting to one another only introduce more noise as a result.
Already having a higher value and improved conductivity mix inside the box, it can only go to naught if the binding post is not up to standard in similar conductivity for the connection lead. CMC gives not only the highest quality of copper conductivity and construction, it is also one of the best looking and superbly built binding post for its price. The availability of a longer screw allows a further reach into the mix together with the 4N pure silver filaments. Beautiful shine from the high quality gold-plating aid on the conductivity as well as upholding the grandeur finished of QA Triple Aces.
Above: beautiful finish of the black walnut box with no glue stains complements superbly with the high quality CMC binding post
Provided in the package are 4 excellent quality red sandalwood spikes tipped with copper. It is up to the users to use three or four spikes according to one’s preference. QA recommends three spikes as it ensures perfect seating of the box (think of it like a tripod) as four spikes may wobble in some cases. Regardless of either three or four, the spikes stablises the ground box and isolate it further from other possible vibration, and the result of it an amazing cleanliness in the lower frequency. The red sandalwood material harmonises with the Black Walnut for a unified look.
Above: matching quality and finishes of the spikes for inmproved stabilisation of the QA Triple Aces which further enhances the sound
Grounding cable for QA Triple Aces has been significantly upgraded in both the core of the cable as well as the connectors to fully match up with the feat of the box. The grounding cable used in QA Premium Ground Box was effective and compatible, but it just was not the case when used with QA Triple Aces. The quality of the cable is no match to the improved Triple Aces but only bottlenecking its performance. Building from the ground up, gathered with the experience we had in building solid core speaker cables, the triple aces of the metals involved in the ground box mix are similarly used in this grounding cable before the potential of Triple Aces is fully realised and optimised.
Again, we continue the trend of using 4N purity of silver and copper for the grounding cable. Both in their single cores, they are twisted, sheathed in cotton, and insulated with adhesive heat shrinks before sleeved with cotton-PET sleeving (this similar construction was used in our single-core speaker cable we used to do). Again, the last single core of the triple aces is also the same third metal used in the mix which we could say no further. This consistency of materials ensures that these triple aces of metals components are fully optimized from start to finish in the entire audio grounding chain to a whole effect within the environment mix inside the usage of QA Triple Aces Supreme Ground Box.
Above: the grounding cable included with QA Triple Aces has to be in the same level of build and component purity for matching performance
To terminate the ground cable with equal capability and quality of the pure triple aces of single core, QA was very impressed with the quality offered by Puresonic in the quality of their spades, bananas and RCA connectors. Made in Taiwan with superior QC, the grade of metal and plating in their plugs have been superbly high, which they are no stranger to, because Puresonic has been in the OEM business for over two decades making high end connectors for some renown brands. The gold-plating on the spade and BFA banana is almost as good as the WBTs and Furutechs we have seen, with little intricate details of tech in their designs. For example, the spade was built with a wedge of gap, giving it a spring effect upon locking to provide the counterforce for improved grip. BFA banana can get smaller overtime as it compresses and loosen the grip inside the binding post. The one from Puresonic has a smaller rod inside that prevents this problem. Despite a higher cost, just like the addition of pure metal powder, the inclusion of such quality is a necessity to maintain the overall performance level. We have absolutely no qualms, as in the same for CMC binding post, that they are able to provide the best transmission of grounding pathways from whichever equipment to QA Triple Aces grounding box for the best grounding effect.
The cable is finished with a cotton-PTE sleeve which we used similarly in our TOTL cable offerings in Star Series. It gives a tougher handling of the cable while still maintain the flexibility. As with our ethos, most, if not all, of our products look good and sounds better. The whole construction of the ground cable by hand matches up to the performance of the QA Triple Aces together with the looks. As the grounding post on the box can be either red of black, the accompanying outer sleeve of the grounding cable will sport the same colour as a compatible match. Regardless of the colour, either one will seat proudly and classy in any set up.
Above: Puresonic’s over two decades of OEM experience shows, as can be seen by the grade of the copper and plating in their spades, bananas and RCAs, all very tough
We understand perfectly many audiophiles still have reservation over the practicality of such components in their system, especially for those who are more than satisfied with their setup, thinking the high-end nature of it would require no part of such passive items as the sound may well be impossible to be improved further. It is perfectly okay to hold that opinion and QA do not wish to change any of it. What we can say is that ground boxes from QA make a difference to the sound, and as with most people who have experienced it, the difference is a very positive one. The fun thing is for each and everyone to discover how the sound is better, and which components are making the best positive difference by connecting our ground boxes to them. By being more natural, more organic, calmer in presentation, darker background and tighter bass – these are the most common improvements. With QA Triple Aces connected, the varying degree of subtlety will and should be replaced with apparent notions – that is the biggest and most significant upgrade QA Triple Aces is over the original ground box. Any system is not too perfect to not be effected with an even cleaner sound, bigger staging, improved timings and more defined tonality. Take the guesswork out, QA Triple Aces is there with a definite result.
Come with 3 years warranty. Lead time for construction 3-4 weeks.
Flat rate shipping to most overseas countries at S$99 with FedEx or DHL. Contact us for confirmation. Additional fees apply for more than one box.
Muzishare X7 KT88 Tube Amp has attracted vast attentions since QA has moved into a shopfront to allow the audition of this wonderful amplifier. Our bad for taking so long in getting the details of the amp into writing as there just too many stuffs to settle in setting up of the shop. So let go straight into a better detailed introduction of the X7 for more accurate information instead of hearsays and misnomers being fed to our customers and misinterpreting the facts.
Above: Video of the sound demo with Muzishare X7
As the official dealer for Muzishare in Singapore, tube amps sold from QA will always be the latest version of what Muzishare has to offer, make no mistake about that. We can understand that due to the lack of recognition and information of Muzishare in Singapore, some details being posted from unofficial routes or channels not from QA may not be the most updated ones. So in any case, please just seek us out for any clarifications.
Reason for saying this being that the current X7 QA is selling is the latest model since beginning of 2022. Yes, now is already 8 months into 2022, but we do have customers comparing cheaper X7s out there when they were the older models WITHOUT the balanced inputs and better optimization of the circuits within. By getting Muzishare products from QA, you are making your spending worthwhile with official support and warranty for the updated models.
To clear another doubt about whether the balance inputs in X7 are truly balanced – yes, they are. The higher end models, but still considerably affordable in comparison for now, of Muzishare tube amps are getting balanced inputs as a future-proofing design consideration. More DACs are getting balanced outputs nowadays, as the number of DACs exploded into scenes for consumers in the past few years. It should not really be a surprise to see tube amps getting such inputs for a more improvement in dynamics and noise reduction in connections when digital music is concerned. What is surprising is some other brands of tube amps are still not making balanced inputs available. Which is why such spec being available in Muzishare tube amps is what makes the price performance ratio exceptionally high.
Above: back panel of the X7 detailing the phono, balanced and pre inputs
The balanced inputs are followed by 2x line in inputs, 1x phono input and 1x pre in. Generally 2x line ins and 1x balanced in for this price range of the amps should be suffice for most users. The presence of the phono input is another bonus for some users who may have just starting into vinyl playing can consider playing with that. We always manage the expectation to our customers and with regards to the phono input, an external phono stage will always triumph any build-in phono pre amp most of the time. We should just treat this presence of a phono input as a bonus good-to-have feature, which can come in handy in anytime of troubleshooting future external phono stage – who knows? Such feature is not available in many other amps while still costing less, so why not?
Pre-ins are not getting uncommon in Muzishare tube amps too. By connecting to a pre-amp one may have, all volume control will be ceded to that, and Muzishare tube amps, the X7 in this case, will be acting as the power amp. Again, another misinformation floating around was that preamps tubes will not be used when pre amp is connected via pre-in – they do. Caveat of using pre-in will be the restriction to using single-ended RCA connection instead of any possibility of using balance connections. However, balanced pre-in is really a niche in tube amp. It will no doubt raise some cost of it on such implementation, but this is definitely a feature QA will hope to see in future Muzishare integrated tube amps as well.
Going to the front of the unit, from the left, we are greeted with something familiar for users who have seen it in the X5. And that is the toggle switch to change between triode and ultralinear modes. Basically triode mode has less power output, at 25W per channel while ultralinear mode produces the maximum power from the 4x KT88 tubes at 45W per channel. 45W per channel is aplenty of power in tube amps specs, rivalling and equivalent to 200-250W per channel of solid state (SS) amps. Hence there is really no issue of X7 not able to drive certain speakers. They are definitely able to drive most speakers out there as low of a sensitivity as 82-83dB no problem.
Above: a pair of toggle switches and a pair of VU meters
Ultralinear mode unleashes to the speakers in its maximum capability, providing the juice and power if ever the speakers need. High dynamics in the frequency spectrum, crisps highs, engaging mids and importantly, deep and tight bass. The wide stereo imaging X7 gives make music listening a truly enjoyable experience, and we are not even talking about the merits of tube-y sound yet.
The clean and precise sound signature of KT88s is the reason why QA always mentioned that they are the best tube type for any one entering or transitioning into tube amps from SS amps. They can almost sound like one, even by any reason if they do not (which is not a deficiency of tube sounds), the tube sounding characteristic will carry you over into another form of enjoyment – emotional enjoyment. Vocals will sound magically sweeter and more realistic, for which we are no longer hearing into the technical part of music listening (some of you will understand what this means), but just purely enjoying music. This literally should be what it is. Even for Classical/Ensemble fans, the lack of vocals will still be up to the treat in that the level of details KT88s can bring to pick up the various instruments is playing is just fascinating.
As for 25W per channel triode mode, the reason of its existence is the flexibility of sounds X7, like the X5, can give. This lower powered mode is useful for higher sensitivity speakers like horns and full range speakers, where the sound signature is also more midrange focused. Listening to Jazz or Oldies where the warmth of tube sound is so desired will appreciate the triode mode available for toggling. The more laid-back and mellow harmonics from triode mode can never make listening on the X7 a fatiguing experience, especially on lower volumes on some late-night music relaxation.
Above: single-ended headphones with 6.35mm plug can enjoy the powerful KT88 driving headphones while another pair of precisely-CNCed msooth knobs are on display showcasing top-notch quality.
KT88 tubes for headphone usage tend to be a bit overkill in all honesty but still can be done with the presence of a 6.35mm single-ended headphone jack. Admittedly not being marketed as a headphone amp, the TRS connection is still available for compatible headphones to be plugged in and be driven with great power in melodic sweet nature of the tubes.
X7 employs a dual VU meter for each channel and as the grooves play, the needle will dance beautifully in the warm, orange back-lit glow of the meter, giving one a sense of nostalgia in a modern-designed amplifier outfit. The VU meter is also crucial for biasing adjustment for the KT88 power tubes, which is made very easy in all Muzishare tube amps with just a simple switch of knobs and trim pots-turning with a small flat head screwdriver.
Turning the knob at the top of the amplifier near the tubes to the respective power tube V1 to V4 (two to each knob, one of each side), the needle will show that particular tube biasing current. The needle should be pointed to 40mA – that is the correct biasing current for KT88 and 6550 tubes in X7. New X7 owners should have no need to adjust anything as it was already done accurately right out from the factory in most cases. There is no harm to switch the knobs to check for it, even when music is playing. However, do take note any future bias adjustment should be done at least 30 minutes in after the amp is switched on, just so the electricity and heat has stabilised the tube for a more accurate reading without much drifting.
Above: turning the biasing knob to the respective tube allows adjustment of its bias through reading of the VU meter
Contrary to some myths, please understand only power tubes need biasing. Preamp tubes do not need biasing. Both tube types, however, will need matching in order for the specs of the tubes in their pairs or quads to be as close and similar to one another in order for the two channels to run exactly the same as much as possible. Still, each and every tube is different. A perfectly identical spec matched tubes may over time drifted and aged at different speeds. That is perfectly normal. Hence it is a good practice to check on the bias reading every few months because the tubes may be drifted higher or lower from the ideal range. Again, that is normal. Just adjust them back.
A single rectifier tube is present in X7, which makes this tube a very likely first to be rolled, in QA’s opinion. As with all mentions to our customers, QA firmly believes the merit of a rectifier tube in tube amps and Muzishare so far is upholding that ethos too. As much as the rectifier being a simple function of converting AC to DC which can be easily done by a small transistor chip, having a rectifier tube doing this job in a tube amp speaks volume in Muzishare tube amps as a true tube amp in this regard. Some, if not most, brands have chosen not to use rectifier tube(s) and that is totally fine. For our case, rolling the rectifier tube(s) in Muzishare tube amps give users an additional avenue of play, of fun, and chance to further improve the sound – yes, rolling rectifier tube(s) affect the sounds in Muzishare tube amps too! And we highly recommend that.
And at the topic of tube rolling, KT88 tubes may not be the cheapest tube to roll. But there are still options nonetheless where 6550 and KT90 are some alternatives users can consider. If not, swapping out the smaller 2x 12AU7s and 1x 12AX7 can be great starting fun! 12AU7 alternatives, vintage or reissues, are not very expensive afterall. And while although 12AX7 will cost more, at least the X7 only requires one of it, so a good investment in an improved 12AX7 can go a long way definitely.
In an overall package, the Muzishare X7 is an absolute bargain of a highly capable and great performing KT88 tube amp. It is only just a few years ago when many other more established tube amp makers are marketing KT88s as their highest end of tube amp models. Muzishare, along with a couple of Chinese-made tube amp manufacturers, have over these few years been producing very well-designed KT88 tube amps like the X7 without a hefty price tag, lowering the barrier of entry in financial terms for those who yearn for a KT88 or for the matter, any tube amp. Muzishare’s continual improvement to their amps has allowed X7 to punch way above their weight in recent times as the more affordable price does not relate to a lesser representation of sound. Anyone who have seen the X7 in person will know and understand the quality of the construction is unbelievable for a high-end equipment costing just slightly over two grand Singapore dollars. If you have not, you are more than welcome to make an appointment with us and come down to our shop front to see and hear for yourself why it makes perfect sense, as well as a sound investment (we can jolly well keep it a secret in all honesty but Muzishare and QA have no qualms of sharing that Muzishare amps will only cost more as time goes) to own and enjoy a X7. So why wait. Muzishare X7 listing here.
A few months in the making and testing, QA is excited to announce a new lineup of high-performance cables, the Star Series.
Star Series is born out of the symbolism of excellence, like how children stand to understand from their first grading system since young. At the same time, it is also paying homage to the five stars on our Singapore national flag, where the country Quartz Acoustic proudly calls home.
There is no end to the best in hifi, so the thought of naming the best lineup of a brand as ‘reference’ like many others do is not QA’s ideal of thought. Surely our best is below the mark of the truly best one out there, if there really is one, categorically speaking. But in using the higher echelon of parts and components with similarly high-end craft of termination, our Star Series is no way hovering at even the upper midrange, but way more above that. With our Star Series cables, you are guaranteed a star of greatness high up in the vast openness of sky amongst others, and definitely also a platform not far away in your journey in search of reaching out to the next or more stars.
Prices of cable lineups in Star Series may look extraordinarily expensive in comparison to similar cables from the general DIY masses, but only because QA Star Series is not those average ones out there. Until one realises the true cost of the connectors/plugs we hand-picked to be used as terminations for our Star Series cables will then the value be fully understood. Using selections from Furutech, Oyaide and KLE to name a few, there is no one critical component of the Star Series cables being a counterfeit or inferiorly-made one, because the quality of the connectors/plugs are that crucial in ensuring these cables will be right down the long list of upgrades after getting them.
Many makers and resellers seemingly market their cables to only the affluent group, actually leaving the majority of users in the audio community totally devoid of chances in hearing what ‘really good authentic’ cables can sound like. This is the reason why we do not say Star Series is only for those who can afford it. Affordability is not true at all in hifi, because enthusiasts and audiophiles like us can afford anything we want – we will go to great lengths to get it, only sooner or later – if we are honest.
And that makes everyone the possibility be the rightful owner of Star Series cables if one fully appreciates how the sum of all parts will be a greater equivalent. Nothing beats owning a cable knowing it can bring significant improvement to their system whilst been safe in the knowledge craftsmanship quality is assured and warranty support is enabled. These are values proving to be monumentally worthier than considering any justification of prices for cables, or worse yet, comparing apples to oranges and still decided based on whichever is the cheaper one. This is only doing a disservice to the outstanding products of the brands involved, who have stood out amongst the rest and have already marked their presence in many truly top-of-the-line industry cables over the years.
And before we left out the reason for Star Series creation – QA believes in the potential of these cables and simply, they deserved to be paired with few of the best connectors/plugs in hifi audio to becoming a more common option of choices for all audiophiles and the community in powering and linking their equipment up.
All Star Series cables come with extended 2-year warranty from QA.
From the month of March onwards, QA will be donating a small percentage of our proceeds to the Community Chest in Singapore on a monthly basis.
I have always believed in contributing back to the society in any way possible. While the field of industry in my work does not engage in the mass community to directly impact them positively, I hope a small monthly donation is the least I could make a difference.
While QA is nothing of big-earning entity, being registered as company should fulfill a corporate social responsibility, no matter how small, in the capacity as an official business.
All transactions made in March (even for back-dated ones before this announcement) will be attributed towards the donation for the month by beginning of April, with the subsequent months following the same pattern of contribution.
I thank you for your support of QA, from all customers old and new, and thank you for your contribution to the society. Every little amount counts.
Continuing from where we left off, subsequent detailing of this post is on a R100 amp with 845 tube version. 845 was chosen for our audition model because it is the highest retail value of the tubes among the three (despite 805 version of the amp costing a higher price) and it sits in the middle ground of 211 and 805 in terms of power output. Presumably, it should give quite an accurate sense of the two.
Here is a quick video walk-through follow by the detailed write up that comes after.
First off, R100 is a beast – a monstrous amp that could actually
prevent you from excitedly unboxing to try it out, solely because it is that heavy. Weighing in at around 42kg,
one needs to be mentally prepared and do some rhythmic breathing in preparation
of lifting it out of the thick and rugger double-boxed boxes. Please take note
of correct posture in lifting it up, as it does has a serious consequence of
hurting your back if not careful. To be safe, get a partner to help. I cannot
stress enough, the weight plus the bulk really make it damn heavy to be
Due to its weight, it is highly not recommended to place it on top of any normal TV console or media rack without proper thickness or approved weight-holding strength. Sometimes prolong sitting it on console or rack may warp them even if they may not break. Placing the R100 on the floor is the best and safest option. If you intend to move it around or plug in and out cables at the back of the amp often, I would recommend to sit it on a heavy duty platform trolley, trolley without handles, so it can look pretty as well as having ease of manoeuvre. You will thank me later.
Done with the heavy lifting, one will instantly be drawn to
the thick chassis and gigantic transformers, sources of the majority of the
weight. It is definitely impressive to see how well-machined the exterior is
being out together. There is no one sharp edges at all, with all corners taken
into consideration to be rounded off. That at least gives one a peace of mind
knowing carrying it will not dig into the hands and got hurt as a result
because of been weighed down.
It is hard not to notice the bulb-like tubes sticking out of the amp. Yet the brawny amp body compliments the pair of 845 perfectly. They will never be hidden because even with a cage on, the R100 will still present the beauty of big triode tubes to be admired. The cage is semi-open, guarding just the side of all the tubes, but covering the top of the preamp tubes of 6SN7s and 12AX7s.
The cage design may split preferences, as some may hope for a fully covered cage to prevent accidental scalding upon touching the giant tubes during operation. In all honesty, a full cage may not save fingers from hurt on prolong touch nevertheless, because the heat from big triode tubes will likely heat the cage hot enough to still cause unpleasant sensation. A full cage also takes away the aesthetic of the glowing tubes (which rightfully deserved to be seen), an ethos Muzishare seems to always uphold in the design of their amps.
The semi-open cage reflects a very modern approach that lends value to the design of the amp. For safe and easy removal, the cage is removed in halves, a symmetrical approach that can be seen right immediately after the entire removal of the cage. Looked metallic but they are not – the cages are fabricated from layers of supposed acrylics finished with excellent metallic and glossy spray.
Amazingly, the cages did not warp or soften despite the close proximity with the hot 845 tubes, a trait acrylic would definitely be susceptible of. It could be a more durable type of plastic I do not know, but is surely a very safe option to leave the cages on for a prolonged period without worrying them warping. Revealing the preamp tubes, a cageless R100 shows the prestigious lineup of the tubes in an orderly and imposing arrangement.
Not the biggest, but the 5U4G rectified tube seats right in the centre, leading the eyes to the rest of the tubes impressively. This visual function is almost akin to its electrical function, providing the best of direct currents to the rest of the tubes. And while we are on this rectifier tube, do understand this is a very significant implementation by Muzishare at this price point not implemented elsewhere in other brands like Line Magnetic or Cayin (except the Pro version).
A rectifier tube provides excellent efficiencies in current distributing and stabilising, allowing the tubes to be fed with cleaner and stable current for cleaner signal output. And this provides another channel of sound improvement when rolling rectifier tubes with even better vintage tubes. The presence of this rectifier tube is often overlooked but it holds a great deal to the quality of R100.
On the sides of the 5U4G rectifier are a pair of 12AX7 and
6SN7, both being very popular and wonderful-sounding preamp tubes. There are
great choices of rolling them with vintage tubes, improving the smoothness and
linearity of the sounds even further. Rolling 5U4G, 12AX7 and 6SN7 tubes are
not particularly expensive (barring those super rare European variants) yet the
sound improvement is a significant upgrade. Because behind them are tubes where
their vintage counterparts will cost a huge sum to get hold on that they are
better left with the stock tubes. Made no mistake, the stock tubes are from
PSvane – already a highly regarded brand of tube for reissues.
Do take extra care in removing the bigger tubes of 300B and
845. There are only 4 pins in them, so the wiggly motion to remove 300B needs
to be firm. 845 tubes are SCREWED ON. They are not removed the same way as the
rest of the tubes by pulling them out! Remember! Hold 845 tube by the glass and
firmly rotate anti-clockwise about a quarter turn. The bottom of the tube will
align with the groove and then it can be removed easily.
On each side of these big tubes are the Hum Balance and Bias
adjustment. By selecting to the corresponding bias group on the front panel on
the left switch, we can adjust the bias of the 845 tubes to the correct value
of 85mA with a test pen, taking reference from the ornate and bright VU meter
in the middle of the front panel. Bias adjustment should be done preferably
after at least 5 minutes of being switched on so the tubes are hot enough to
show a stabilised reading. This adjustment does not need to be done every so
frequently unless the 845 tubes are changed.
The same cannot be said for the hum balance adjustment
though. This needs adjusting when different speakers of different sensitivity
are connected, in addition to the changes of tubes. To and fro fine adjustments
will have to be made on both adjustors on each side until the least hum is
heard from the speaker cones by placing your ears right up to them. Complete
silence is seldom ever possible, so do not get too caught up on that. As long
as you heard nothing from your listening position then it is good.
The selector switch is on the front of the panel, seated to the right of a sturdy push button for powering on and off the R100. While the size of the power button is great, having the same size for the bias/VU meter sensitivity and inputs selector is admittedly less than ideal as these selector modes need switching which can be helped with a bigger knob. Presumably, aesthetic reason is probably why Muzishare implemented that, which to be fair, they are seldom touched as well once adjustment is done.
The volume knob, however, is one huge, precise, machined aluminum piece that turns buttery smooth. It offsets the symmetrical look we see on the tubes layout but nonetheless still visually balanced with help from the emphasis of space around the Muzishare logo on the other side. The exquisite and beautiful rounded VU meter right in the middle of the front panel ‘rounds off’ all things circular in front, presenting a delightful sight of high end outlook.
With the wide selection of inputs available comes the huge plethora
of connections at the rear. Particularly high value in performance is the
present of both balanced and phono inputs! A truly balanced connection in the
entire audio chain can be greatly appreciated by those who played digital files
whose DACs may have the option of connecting. This allows for a higher dynamic
range as well as an even lower noise floor for a quieter background.
Phono inputs provides vinyl lovers to skip an additional
phono stage and cable to go directly from the turntable to the amp with just a
single pair of cable! Using external phono stage is often recommended as it
performs way better than any built-in preamp most of the time. The MM phono
stage in R100 not only saves the cost from getting the extra component, the
shorter and more direct signal path within the internal circuit prevent
additional noise to be introduced to the sensitive phono signal. One less component
means one less complexity for the signal path and also additional money saved
for tube upgrades for R100.
Having a balanced and phono inputs greatly heightened the
performance value R100. These two components have already been seen in the KT88
tube amp X7, hence it is really not a surprise to see them in the flagship
R100. They are not specifications to be taken from granted, however. None of
these could be seen built together even in higher-priced amps from other Chinese
brands like Line Magnetic and Cayin. While balanced and phono connections may
not be utilised by everyone, they are definitely component features that
future-proofed your investment subsequently if upgrades down the months or
years call the need for them.
A common feature for high-powered tube amp less commonly
seen in lower-powered KT88/EL34 amps is the availability of 16ohm speaker taps.
Amps like R100 has the flexibility, and voltage muscles, to drive speakers load
of higher impedance rating without worry of damaging them with higher currents.
Finally, how R100 sounds. Knowing how subjective this can
get, the following impression is best described in terms of comparison from
EL34/5881/6L6GC and KT88/6550 tubes. Basically, one word, marriage. EL34 tubes
are known for the delight vocals. KT88s are so superior in power and dynamics. The
845s in R100 driven by 300B are almost like a perfect marriage between EL34 and
KT88 WITH even added improvements!
Vocals are sweet and musical like EL34, BUT with added naturalism and organic touch to it. Bass and highs are ample like KT88, BUT with added tightness and more punch at the lower end and extended crisps of sparkles at the higher end where one will hope KT88 can squeeze these in further. Music just sounded much livelier with touch of realism. Power from 845 tubes does not mean the gain is high and volume is loud – in fact at 9 o’clock position is where the volume is good, anything past 10 o’clock the amp is pumping some serious juice (at Class A, this is fully expected). Every amps can drive any speakers to a loud level no problem. But power from 845 tubes come in extruding all the fine details of almost all the frequencies, regardless the volume level, in enabling the intricacies to be heard.
It is hard to find any further lacking of dullness of the music with R100 without going into the micro level of nit-picking of specific instruments or frequencies. At stock, the sound from R100 has little room for improvement. If any, I am sure we can go into these finer details with upgrades of the tubes, coupling caps, fuses and binding posts etc. But these can be reserved for the next discussion.
R100 845 tube amp is also available for auditionnow . Please enquire for a time slot through the contact form here or WhatsApp me at +65 9423 9296. Give me a heads up preferably at least one day in advance.
No available stocks for immediate purchase just so to keep the upkeep and pricing low. Orders made will be delivered direct from factory to you within 2 weeks.
Available to ship worldwide, please enquire for shipping fees (I am sorry it may not be cheap due to the monstrous weight). FREE shipping in Singapore.
Our Muzishare X5 was the first full-fledge branded
factory-made tube amp we brought in around 3-4 years ago in bid to increase its
exposure to the general audiophile community in Singapore and the region. A
tube amp so well-made and beautiful has no reason not to be considered for
anyone seriously into getting his/her first, second or third tube amp.
Muzishare over these years has consistently improved on the quality further, both on the aesthetic front as well as the worksmanship and most importantly, audio quality. Their increasing popularity in China are slowly bringing much awareness outside the region and to the global scene. It is imperative such exposure could do a lot of good to have a focus here in Singapore. And as outlined in our previous post, QA’s effort has finally paid off to have secure the official distributorship of Muzishare tube amps in Singapore from November 2019 onwards.
In recent months, Muzishare has been building a flagship model in order to refresh their tube amp lineup, which has been consistently hovering in these respective tube series – EL84 of X3T, EL34 of X5, KT88 of X7 and 300B of X-300B. While KT88 tube amps are traditionally the onset of big boys, for those graduating from a EL34 tube amp, it is no longer a tube series of amp that holds the charm. Many other manufacturers have come out with various KT88 tube amps and begin saturating the market. The once-powerful and rather exclusive KT88 tube amp is now quite a dime a dozen. Not to undermine KT88 tubes at all for I am still a huge fan of the fat beam tetrode, but above this class is another league that just dwarfs the KT88s (as can be seen in the photo below), big triode tubes, 211/845/805.
Line Magnetic is one brand of the Chinese-made amps that
have enjoyed stellar reputation worldwide for its indisputable quality. They
are one of the early adopters in Chinese tube amp manufacturing to use these
giant triode tubes. Their 845 and 805 series of amps are parked at the higher
end range of the tube amp chain in many rooms, providing a sound output of the
Muzishare’s flagship model of R100 is heading towards this direction – a hefty tube amp that branches into three different versions of 211/845/805 tubes respectively, allowing customer to choose one that they are most comfortable with. It may seem like a challenging feat for Muzishare in building the R100 as it is only a recent development and lack of previous big triode tube model to back as portfolio. Truth to be told, amps from both Muzishare and Line Magnetic come from the same factory estate in Zhuhai at Guandong, China. Connecting the dots, Muzishare does has a wealth of expertise in building a big triode tube amp, confidently and remarkably, as we are to find out in the next post, where I will dive in details on the Muzishare R100.
This news came way earlier but the festive period and orders have been preventing us from announcing!
We are pleased to announce that Quartz Acoustic is now the official distributor for Muzishare tube amps in Singapore!
As some of the customers know, we have always been huge admirers of Muzishare amps. They are just very well-built, fantastic quality in performance and are some of the more beautiful tube amps manufactured from China. Their specifications often edged out amps of the same tube types from competitors which gives their amps an excellent value for money.
Muzishare has a strong following in China, where it is considered relatively high-end for a tube amp brand with extensive features and solid workmanship. Manufactured in Zhu Hai, Guandong, China, the components and parts in Muzishare tube amps consisted of high quality, audiophile-grade of materials, build together with remarkable point-to-point exquisite soldering. External chassis are all well-machined and sand-blasted to a posh exterior, resulting in Muzishare tube amps to be heralded as one of the more beautiful and refined tube amp brands in China. A lesser-known fact is that Muzishare amps are manufactured in the same production factory as the remarkable Line Magnetic.
QA will provide all official queries, sales and support of Muzishare amps through all official channels of contact. 1-year official warranty, as with all our other products, will be provided. We will see to your issues and rectify them, if any, before extending the support to China factory if that need arises, even if your warranty has unfortunately expired. Terms and conditions of warranty and returns still applied. All warranties and supports are only applicable to customers of QA and units purchased from QA. Grey and/or imported sets will not be honoured.
Ground box has become an intrinsic part of an equipment in the audiophile setup. Fans of such boxes will never get hold of them enough in adding at least one to every equipment of theirs. Let us look at why it helps in the audio chain of equipment and how it can be connected
The fundamental of ground box is really just to ground out the signal further – no matter how audio equipment are designed and built with grounding in mind, inherent interference from anywhere will get into the signal path at every opportunity. These include cable pickup from the air, electrical noises introduced from power supply, electrical components receiving EMI pickup so on and so forth. The vast complex nature of electrical principles happening in the entire equipment chain just presented a whole lot of instances where signal noise can be added and/or generated. These interference are not necessary perceivable noises we can or try to hear from speakers or headphones. They could suppress certain frequencies and/or raise the noise floor that ever slightly, giving rise to our perception of ‘veiled nature’, ‘muddiness of sound’ and ‘not transparent’ enough as we chase our own level of satisfaction of sound. For clarity, interference and noise will be used interchangeably here.
By grounding out the signal at different point of the signal
path through introduction (connection) of the ground box at different entry
path of the equipment chain, our aim is to get rid of these ‘noises’ as much as
possible before they get amplified further down the link. This is the sole
reason why we always strongly recommend to place the ground box FIRST at the
source of your equipment. These are the DAC, CD player and turntable. Bear in
mind we are talking about signal noise and less of those grounding issues that
caused hisses and hums. These audible noises can only be resolved through
correct grounding techniques and NOT by connecting ground boxes thinking they
can magically remove the noise. It may help, but it will not clear up the
inherent ground noises entirely.
Effective ground box will primarily make the sound turns out
significantly more transparent in the background as a result of lowering the
noise floor. This really brings out the tonality and timbre of the music where
we can achieve better clarity across all frequencies. High resolving system can
hear more details. But the point is, it will just sound ‘right’, not just
Aurcharm grounding box first make its appearance in our
store a few years back and there have always been a lot of interest in it. With
ergonomics and efficiencies in mind, we spent quite a bit of time in developing
our own ground box to be better than the Aucharms.
QA Premium Audio Ground Box packed in a lot more minerals
within the box to really improve the grounding effect. At almost 2kg in weight,
QA ground box has managed to blend in a vast variety of high quality earth’s
natural minerals together with pure conductive element. The effect is a more
immediate and noticeable improvement than either one of Aucharm’s two boxes of
The main physical difference we could see is the cube shape
nature of the QA ground box compared to the rectangular form for Aucharm’s. The
cube shape allows one to place the box in various orientations where the
grounding cable can be best placed to connect to equipment – it will remain a
cube in anyway.
Below: Likely placement of Aucharm grounding box is more or less limited to 1-2 position.
Below: The various positions you can place QA ground box – versatile and helpful
As mentioned earlier to have the ground box connected to the
source first for best effect, turntables are the most straight-forward as they
have ground jack most of the time. The included multipurpose crocodile clip can
be clipped onto the ground jack or it can also be removed to reveal the banana
plug. Plug that banana plug end into the ground box and secure the spade end to
the ground jack of the turntable.
As CD players and DAC seldom come with ground jacks,
connecting to any spare RCA ports found at the back panel is the best way of
hooking the ground box to these sources. The grounding of RCA ports are all
connected, even S/PDIF coaxial digital out port that took the form of a RCA.
While the crocodile clip could be used to clip on to the RCA port directly, you
can purchase the additional RCA-to-banana-plug cable at just S$7.90 to have a
more secure connection. Just plug the banana plug end to the ground box and
connect the RCA end of the cable to any available RCA port of your CD player or
DAC to secure the ground connection.
After the sources, preamps are next in line for the ground
box connection, followed by power amps and speakers. These subsequent equipment
should follow the principle earlier of using the best type of plug for the
choice of the connections. The included multipurpose crocodile clip should
yield some combinations available in connecting to any available grounding post
of the preamp, or it can plug straight directly to the negative post of the
power amp output/speaker input. The RCA cable can be utilised here too if there
is available RCA port on the preamp/poweramp.
Below: Like a turntable, certain preamps and most phono stages will have the ground post, and this is how the three main methods could be used to connect with the ground box.
At the point of power amp output, although the ground is
also shared up to this point at both the negative posts, the effect of the
grounding box will be improved if one box is connected to one negative post of
EACH channel, instead of connecting just one ground box to one negative post of
the power amp. Reason being that with the signal is at the highest level at
this output end, amplified signal interference is best grounded to one ground
box each. This is also why one ground box is recommended for each speaker too.
Additionally, we do have another cable that has the UK plug
at one end. This cable is useful for the ground box to be used on the mains
where all equipment plugs go, or basically it can be plugged onto a spare
outlet of a power conditioner strip if one is being used. This has the effect
of grounding out the electrical noises coming from the mains and keep all the
current feeding to the rest of the equipment at its cleanest.
So, the ground box practically has quite a number of ways and means it could be connected to your choice of equipment. Do play around with the placement and hear for yourself where it performs the best in keeping the sound to your most preferred listening! But very importantly, do take note that it is crucial to only connect ONE equipment to ONE ground box! A single ground box CANNOT BE SHARED between two or more equipment! Because this can result in the possibility of shorting out the ground paths at the wrong locations! So please do not try that with the aim of saving money as it may turn out you will spend a lot more!
A tip we would like to share when the single time you can share the ground box between two equipment is ONLY when the two equipment are not turned on at the same time. i.e a ground box is shareable between a turntable AND a CD player because, most of the time, only either one of the machine is turned on and playing. But do take note that the one equipment not being used should be turned off at its mains too. Having it on standby or off but still electrically connected may still has the possibility of introducing that feed of the AC current noise routed to the other equipment with the ground box as the bridge!
Our QA Premium Audio Ground Box is available for order here. Entirely manufactured by hand from various raw materials, up to 12 days are needed for completion. But do check with us if we have stocks available when we do make extras as and when, especially during those batches of mass order.
Bringing our modification upgrades to the next level, we have completed testing on upgrading this beautiful Muzishare X5 EL34 integrated tube amp. It was a resounding success.
Upgrading potential is very high on this Muzishare amp. In fact, for tube amps, coupling capacitors play a huge part in the extension and spaciousness of the sounds, as much as the tubes have the greatest say in the sound flavour. Replacing over a dozen of the capacitors in X5 bring up the performance value to another notch. Importantly, this goes to say Muzishare X5 itself is already a fantastic amp to begin with.
The quality of Muzishare X5 can be easily seen from the intricately-designed and CNC-machined chassis. Beneath it, the wirings and components are similarly hefty. The capacitors this amp should be using deserved a lot more better.
We chosen Jantzen Audio, a high end brand from Denmark, to be the major branded capacitors in our modification upgrade. The Superior Z line of their caps have been lauded as one of audiophiles favourites for a long long time and reviews of these caps have never failed to impress. Their constructions are huge for similar capacitance of lesser grade caps, if you see the before and after photo of the upgrades. Luckily, their elongated shapes make the arrangement in the tight spaces possible and logical. Other top of the line caps include Nichicon KX series, ELNA Silmic II and Vishay BC. ELNA Silmic II is renown for using silk fibres in the cap itself that will “a superior acoustic characteristics.” Nichicon KX series of caps are audio-grade in itself that will normally only be seen in upper high end range of tube amps.
The effects of these upgrades are almost immediate. X5 accepts EL34, 6L6, 6L6GC, 5881 tubes and all these tubes have great tonality of characters. But what the upgrades have aided is the ability to hear the additional smooth, silky vocals, and the spaciousness of the textured details. Leave much of the flavourings of sounds to the tubes, these upgrades presented such a clean and neutral slate akin to a clean plate for even the slightest subtlety of the food, or sound, can appreciated when being served. A few more hours of burnt-in and they open up; natural, extended and musical.
As part of the bundle to at least have the amp powered up suitably in a high standard state of operation, we are adding in one of our customers’ favourite product, the Furukawa OEM 17mm thick Audiophile Superb Clarity Power Cord FREE. Cable is 2m long to suit most circumstances of connecting. Pairing this cable with the upgraded amp ensures the amp is well-fed with clean and quality current of juice for excellent output preparation.
Do head over to the product page and read more in detail of the specifications and see more photos and place your order. Order will be shipped out in 14-18 days with ALL the upgrades done, after which you only have one job, enjoy.